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Toni Ebel 1881–1961

Malerin – eine Spurensuche

Wechselausstellung
Toni Ebel, Selbstbildnis, 1955, Öl auf Hartfaser, 24 × 32 cm, Museum Utopie und Alltag, Beeskow. Reproduktion: Thomas Kläber
Toni Ebel, Selbstbildnis, 1955, Öl auf Hartfaser, 24 × 32 cm, Museum Utopie und Alltag, Beeskow. Reproduktion: Thomas Kläber
12.3.23
12.12.23

Toni Ebel gilt als eine der Vorreiter:innen in der Repräsentation von trans* Identitäten in der Kunst des 20. Jahrhunderts. Sie ging mutig und selbstbestimmt ihren Weg: Um 1930 unterzog sie sich in Berlin geschlechtsangleichenden Operationen und konvertierte 1933 zum Judentum, dem Glauben ihrer Lebensgefährtin. Die Naziherrschaft überlebte sie im tschechoslowakischen Exil und fand 1949 mit ihrer Kunst Anerkennung in der frühen DDR.

Die von der Magnus-Hirschfeld-Gesellschaft e.V., Berlin konzipierte Ausstellung präsentiert künstlerische Werke Ebels in fotografischen Reproduktionen und gibt ausführliche Einblicke in Leben, Werk und Wirken der Künstlerin.

Weitere Infos zur Künstlerin finden Sie auf der Seite toni-ebel.de

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Teils sind die Werke von Toni Ebel nur noch in schwarz-weiß-Reproduktionen erhalten.
Teils sind die Werke von Toni Ebel nur noch in schwarz-weiß-Reproduktionen erhalten.
Toni Ebel interessierte sich neben Landschaften vor allem für Portraits.
Teils sind die Werke von Toni Ebel nur noch in schwarz-weiß-Reproduktionen erhalten.
Toni Ebel interessierte sich neben Landschaften vor allem für Portraits.

Material

Pressespiegel

Aktuelles

Marian Ruzamski, Selbstbildnis, Konzentrationslager Auschwitz, 1943 – 1944, Bleistift auf Papier, 25 × 20 cm, Staatliches Museum Auschwitz-Birkenau
29.4.25
14.9.25

Wechselausstellung

:

Marian Ruzamki – Kunst der Erinnerung

Erste monografische Ausstellung Marian Ruzamskis außerhalb Polens

Das Zentrum für verfolgte Künste zeigt erstmals in Deutschland das gesamte Werk von Marian Ruzamski, der 1943 nach Auschwitz verschleppt wurde und später in Bergen-Belsen verstarb.

Ausschnitt Willi Deutzmann, „Kapelle im Frühling (Chicago)“, Öl auf Leinen, 1947, Sammlung Heinz-Willi Müller, Foto: Dirk Rose
5.1.25

Führung

:

Öffentliche Sonntagsführung „Solinger Künstler in der Kunstregion Rheinland 1933-1945“

Moorsoldaten? Eine Spurensuche

Die öffentliche Führung im Zentrum für verfolgte Künste zeigt Werke Solinger Künstler:innen aus der Sammlung von Heinz-Willi Müller

Paul Ern, Junge Amsel, Holzschnitt, Sammlung Heinz-Willi Müller, Foto: Dirk Rose
12.1.25

Führung

:

Öffentliche Sonntagsführung „Solinger Künstler in der Kunstregion Rheinland 1933-1945“

Moorsoldaten? Eine Spurensuche

Die öffentliche Führung im Zentrum für verfolgte Künste zeigt Werke Solinger Künstler:innen aus der Sammlung von Heinz-Willi Müller